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Maybe it’s the time of year. But lately I’ve been thinking about Nora, Henrik Ibsen’s spiraling, manic heroine. doll houseSpending too much on Christmas gifts Run the household quietly In a way that no one can see Twisting itself into a knot of joy and performance that can only be unraveled. This drama confirms that relationships can endure for a very long time. But it must not be a false closeness. It is not a pretense of something that should be sacred. doll house It also emphasizes how easy it is to fall into the trap, especially the lavishly rewarded part.
Romy (played by Nicole Kidman), the unexploded bomb surrounding the new film little girl Created as one of Nora’s heirs, so is Helen (Keira Knightley), the smiling politician’s wife and dutiful mother of twins, in the Netflix series. black pigeonwho happened to be spies operating under deep cover. little girl and black pigeon which is set during the Christmas season Which leads me to argue that the first film is the most straightforward type of Christmas movie. It’s not a cheerful tale about a round home invader. But it was a fierce image of a woman balancing on the edge and like black pigeon and doll houseThe film revolves around someone dying to destroy her “perfect” life and trying to protect it at all costs.
Since Halina Reijn’s film premiered at this summer’s Venice Film Festival, where Kidman won the Volpi Cup for Best Actress, little girl Provoking discussions exploring desire, deception, and power, Romy is the impeccably put together and incredibly tense CEO of an automation company. Where pioneering robotics and artificial intelligence work feels almost useless, Romy is optimized. to subtle Botox injections that limit her expression. And the power of a noble woman suits the deep pink color that makes her a compassionate head girl. But is she human? as she attended a holiday party at her office. Then there was the premiere of her husband’s (Ibsen’s) play. Hedda Gabler) Then her family’s Christmas dinner at their picture-perfect house outside of New York City. Romy also switches fluidly between different identities. No one feels sincere at all. At least until her messy relationship with Samuel (Harris Dickinson), who seems a little unsettled and wild. Encourage her to try new roles.
A lot has been done. little girlSamuel’s sex scene who had both stupefying fear and strange instincts You could sense that Romi wanted someone to dominate her. Not because of shame and misery But it is an expression of care. At the beginning of the film, Romy sits astride her husband. Simulate orgasm before rushing to her laptop to indulge in something that really turns her on. She prepared lunch for her two daughters wearing a rose-patterned apron. And leave a handwritten note that is sure to make them sad. She sat in the corner of the office. Welcoming a new group of interns with Samuel present Each role involves catering to others. But what Samuel understood was her desire to surrender control. abandon decision and being given strict instructions on what to do, Reijn also wrote. little girlIt is gently shown that Romy’s freewheeling childhood in the cult helps explain her arousal in power. But Romy’s appetite for risk feels more than that: it’s the only way she can critique her ideal existence. “There must be danger,” she explains near the end of the film. Trying to understand what she really wants, “things are at stake.” The dynamic between safety and survival is the film’s most compelling element. As Nora told an old friend in doll houseFaced with the possibility of revealing her secret, “A miracle is about to happen! … But it’s also terrible, Christine, and it can’t happen. It’s not for everyone in the world.”
Through this lens, Kidman’s performance as Romy lingers long after his final performance. It was a disturbing mix of passivity and abandonment. tense calm and the surrender of the elements The film is part of Kidman’s series. where she gathered her wits before exploding as we watched. as an actor She also seems drawn to taking risks. and to the freedom and fulfillment that comes with accepting another person’s creative vision. Before she became a director, Reijn was a classically trained actor, playing roles. “Empty and suicidal” Hedda Gabler (as one profile says) and other roles Before developing stage fright in her late 30s, it was something both she and Kidman seemed to want to say to Romi. There is no deeper loneliness than realizing you don’t know yourself at all. And the conveniences and milestones you once longed for have become anchors that threaten to pull you under.
Helen (not her real name), Knightley’s undercover agent. black pigeonIt operates within the same area as Romy and Nora. Her family is one big lie that she will fight to the death to preserve. The Netflix series is written by Joe Barton (creator of the underrated crime thriller). Giri/Hachi) is a funny story. Brutal, exciting And ridiculously self-aware. About the underground criminal network Diplomatic Crisis and espionage like little girlBut it’s also about human relationships. and the unbridled joy of being with the person who makes you feel most like yourself. Helen is a member of a private spy group called the Blackdoves, run by an elegant young woman known only as Mrs. Reed (Sarah Lancashire). The black pigeons work for money by selling secrets to the highest bidder. When Helen was selected It was because Reed felt like she was a thrill seeker. She has a flair for violence and is calm in times of crisis. It has been 10 years since Helen was married to a Conservative MP who is now the defense minister. By giving birth to children and steals his documents. In the first episode, we learn that (a) she is having an affair Trying to find release from the constraints of her false daily existence, and (b) her lover is murdered. causing a trail of bloody revenge and the threat of exposure is almost constant. (At one point, attempts to save her three lives nearly got her killed when her daughter FaceTimes her while Helen was hiding from the carnage)
Barton seems to enjoy laying out Helen’s monotonous life as a wife and mother. By flawlessly organizing her husband’s holiday party. Glue gems to the crown for a nativity set. along with the extravagant actions of her secret life Helen designed (apparently intended) to look like Kate Princess of Wales: Long, loose, wavy hair; Wearing endless amounts of expensive sweaters and smiling, smiling, smiling. In one scene, Reed describes Helen as a “coiled spring,” and in the background the holiday fun is expressed with so much determination that you can just faintly feel it. It’s light that she’s cracked only at the edges. When Helen finds herself in danger Reed then calls up her former co-worker Sam (Ben Whishaw) and his pairing with Helen is, for me at least, what makes this show so much fun. “Hi, darling,” Sam tells her right after blowing off the head of one of her villains with a shotgun. Helen, who was more bloody than Carrie at the prom Ruined with joy and gratitude “I can’t believe you’re here,” she sighed.
black pigeon It’s best appreciated if you don’t think too hard about the plot holes and just enjoy the show. But there’s more to Helen than most. Expect from this genre, for example, more sympathy for her suffocation from her deceitful marriage. Her own perfect expression of family. Her unexpectedly gentle impulses as a mother which destroys her ability to carry out her job. The show’s most ruthless bosses are all women – Lancashire’s Reed, Kathryn Hunter as the wormy director of the Assassin’s Guild, Tracey Ullman in a cameo, I Will It doesn’t spoil it – which suggests that they are all experts at secrets. For Helen, her fake life has become so prominent that it has replaced her identity as a person in her own right. “Sometimes I wake up and I can’t breathe, I can’t breathe, Sam, because I don’t know who I am,” she says in one scene. “And no one else either.”
in the end, black pigeon It is suggested that Helen is similar to Romy. It might be better than staying at home. But her fearlessness and risk-taking have shown her something about what she really wants. At the end of the series When confronted with an intruder in the store who was trying to infiltrate her family Helen strangled her with a pearl necklace. which is a symbol of class and status. Then he let her go and shouted, “I’m Still Helen Webb” and Helen Webb Not stabbing a girl to death in a jewelry store on Christmas Eve.– I laughed at the line. And when considering the collapse of Knightley’s dynasty But it seems to signal that all of Helen’s adventures have led her to a better understanding of herself and acceptance. That change was brought about by Sam. The one who really sees you And what’s even better is seeing someone worth knowing. It’s a testament that can make everything about her life and Christmas. Whether it is strategic planning Emotional control smile— much easier to tolerate
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