when mean womana musical remake of the 2004 film, opens in theaters in January. The film shocked the audience because it was a musical. Drama viewers recorded The moment when fellow viewers knew what kind of movie it was in that videoThe crowd groaned as soon as the characters started singing. before laughing at their own reactions. But the studio behind the remake isn’t surprised by these responses. “We don’t want to run out of time and say it’s a musical,” said Marc Weinstock, Paramount’s president of global marketing and distribution. tell variety of the method mean woman It has been advertised as “Because people tend to treat musicals differently.”
They haven’t always been able to see them in theaters over the past five years, in part because movie theater closures during the coronavirus pandemic have resulted in weak box office returns across the board. regardless of quality or classification Even movies that are nominated for Best Picture Directed by Steven Spielberg. west coast story Unable to make a profit But aside from low ticket sales, Retaliation and ridicule for poorly done items, e.g. cat and Dear Mr. Evan Hansen—An adaptation that once seemed certain to become a hit. Considering the show’s popularity on Broadway—it seems that studios Concerned about the genre’s viability, at least the way studios have been marketing these films recently seems to indicate some trepidation: there’s a promotional campaign. Disguise the true identity of the movieInstead, they rely on other things that might make them famous. Especially when they are part of an existing franchise. mean woman‘ Title Graphic feature small eighth note inside g is the only hint about the origins of the Broadway remake. First example for WonkaThe backstory of Roald Dahl’s character doesn’t show anyone singing a single word. purple Call yourself aOutstanding new format” without explaining what must be done. (The movie immediately answers the question by opening a duet song.)
but evilwhich released last weekend, wears the genre’s glitter. movie trailer have Outstanding Beloved Broadway Show Popular songs of all timeand it The promotions have seemed endless in recent months – featuring stars like Cynthia Erivo and Ariana Grande. no Wear green and pink respectively? – Included lyrics Video With performances from the movie It turns out that Universal’s unabashed embrace evil Capture the premise of the film: this. It’s a musical film that packs a punch. This strikes a balance between the characters’ sweet, quiet sing-alongs that draw viewers in and more intimate moments. And there was no need to trick audiences into thinking that the film was top-grossing at the box office. It grossed $114 million domestically and $164 million worldwide. It is the highest-grossing opening of a Broadway adaptation in history.
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evilThe stage show is based on Gregory Maguire’s novel, which draws on L.A.’s classic film. Frank Baum gives a new interpretation. The Wonderful Wizard of Oz Through the eyes of the Wicked Witch of the West In Maguire’s telling She used to be Elphaba. Exiled girl who develops an unusual relationship with Galinda Blonde girl with bubbles (Future Glinda the Good Witch) before becoming Bom’s arch enemy. Both the book and the Broadway version took years to flesh out the plot, but evil The film has split the story into two parts to handle the additional parts. Part 2 is slated for release in theaters next year. This movie It also refines the first act into a straightforward story of two women forming a deep bond. This allows the film to still feel complete.
The resulting adaptation is a satisfying blend of the grandeur of the musical and the intimacy of filmmaking. A key scene makes it clear how different the women are: Elphaba (Erivo Amazing) is introverted and reserved. Expressing her innermost thoughts through towering ballads. Galinda is introverted and self-absorbed. (Grand, hilarious and sensual—excuse me lar) expresses her exaggerated tendencies through lively figures. Meanwhile The camera then carefully reveals how Elphaba and Galinda’s relationship develops. It is shown that Galinda’s forced smile finally reflects true kindness, and Elphaba often fights back tears while trying to put on a confident expression. The lingering photo of them locking eyes in the mirror is just as powerful. with their rousing unity
Director Jon M. Chu, who has done beautiful work but is not well known. In the HeightsAnd it also knows how to take advantage of film’s wide canvas. Oz may be a familiar backdrop. But Shu borrows from various musicals to create a world of munchkins and talking animals. During “The Wizard and Me,” Elphaba spins on a cliff like Maria. sound of music– The camera tilts and turns during “Dancing Through Life” to follow Busby-like dance moves. Berkeley’s actors throughout the scene rotate. And the surreal Ozdust Ballroom in which Elphaba and Galinda dance together seems like it was created as a dream ballet venue. At times, maximalism threatens to overwhelm the film. But the excess makes sense for this fantasy kingdom. Although the picture cannot be compared with The Wizard of OzStunning explosion of Technicolor
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Perhaps that sense of escape is why even with a long running time of 160 minutes, evil It has become both the most popular adaptation of a Broadway show in years and a hit with critics and crowds alike. It’s different from other musical films. They tend to adapt the original soundtrack or take a “realistic” approach to a genre built on sensationalism. The film celebrates its medium rather than its rigorous endeavors. Creating a successful sequel will be an even bigger challenge. As those familiar with the stage version know, evilThe second act covers a much more complex plot that doesn’t just repeat itself. The Wizard of Oz But it also delves into political allegories. (Oz’s citizens worship a con artist who calls himself the Wizard.) And with the film’s overemphasis on Elphaba and Galinda’s sisterhood, This leaves many subplots revolving around a large number of supporting characters unresolved. Even the overall content of evil It is also hardly recommended. “Where does evil come from?” a character asks early on. This first film had no response.
However, instead of the answer It is a testament to the true power of movie musicals. Which is perhaps best encapsulated by the film’s rendition of Act I closer “Defying Gravity,” the song becomes evilAnthem quickly released after its Broadway debut; Its message of embracing individuality and culminating in Elphaba’s first flight struck a chord with fans of the musical. This was the film’s finale before a year-long break. And it’s equally beautifully rendered. It is powered by Erivo’s beautiful singing voice, but differs from the stage version. There is a close-up of Elphaba imagining herself as a child. Before you know how to soar This image shows how far Elphaba has come: she has long desired to be seen for who she is. But she can’t go there until she sees herself. It was a small moment, but full of emotion. It shows why film and music genres should live on. On the big screen, characters like Elphaba no longer play in the back row in front of captivated audiences. Now she had let everyone into her mind.
